Vauxhall Insignia…

January 11th, 2010

All day, I have been putting off leaving the house. I have been doing anything to avoid actually going outside. I have watched my computer de-fragment, I have done two loads of washing, I have even paired my socks, but why? Well, the head gasket of my car has gone, so it’s in the garage. I have not left the house because of my dislike of walking anywhere, oh no, but because the car I have while mine is in for repair is quite honestly ghastly.

The Vauxhall Insignia SRI is currently sat in a pool of ice, outside my house and this is the sole reason why I have been avoiding going out during daylight hours. It is, quite possibly the ugliest thing in the world. Janet Street Porter would look better with wheels than the bodywork of what is apparently, Vauxhall’s flagship. I watched my neighbours children pass this car and try to cross their threshold but not until they were violently sick on the doorstep.

Quite how I managed to park this car in a pool of ice is beyond me, according to a button and a little light on the dashboard the Insignia has traction control but not as we know it. From what i can fathom, all the button does is switch the light on and off, and it doesn’t do that particularly well. As with any Vauxhall, when you push a button it feels as if its going to disintegrate at the slightest touch… indeed the mirror control fell off in my hand! Whether this safety device is on or off, the wheels spin and the car slips and slides at the slightest notion of a slippery surface, useless is not the word, crap? pointless? waste of time?

So what about the feel of the car, well it feels as if the suspension has been made from oak, not because it is solid but because there isn’t any. I know I have been spoiled by the ride comfort of a 4×4 but really? is ‘normal’ suspension supposed to be this uncomfortable? Because of the lack of movement in the supposedly bouncy parts of the car, every pebble in the road makes it skip off course, the back hops about like a school boy playing in snow for the first time and appears to be connected to the front by dental floss - I have never experienced scuttle shake in a saloon, I think this could be a world first! Now for the driving position, with a seat that goes up and down, a knee extension and multi position lumbar support, coupled with an inny outy uppy downy steering wheel you might think that a comfortable driving position could be found, but after 10 minutes I couldn’t find one… oh and the peddles are very small and too close together.

None of the controls are where you feel they should be - the stalks are too high in comparison to your steering position, so you miss the indicator. The centre console is too far away and the temperature control is on the wrong side. The stereo lacks fidelity and because of the “styling”, if you can call it that, there is no useable antenna, therefore it struggles to even pick up the strongest signals. The seatbelt lock is too low, it doesn’t fall to hand but if you give up rummaging for it underneath the seat that infernal beeping noise that says “Mr Brown says buckle up” seems to get louder and louder.

To round up then, a car with an impressive name ‘Insignia’ speaks of the kind of pedigree you would associate with the Overfinch styled or Autograph range of Landrovers, it tells of something special, meaningful or with some class about it. I think I might write to trading standards, as the name, represents the package like “wonderful kind clever caring man” describes Gordon ‘what the hell is that thing he does with his mouth’ Brown. The Vauxhall Intestine might be a better name for it because driving it makes you want to bring yours up and it is full of S**t.

Natural flow…

November 24th, 2009

A friend of mine, Steve Cross writes a regular blog for The Hampshire Chronicle. Bing a Winchesterite he makes comment upon life in the city and his observations, usually from within one of the many coffee shops on his door step.

He has recently made a very worthy observation, one, if you are familliar with my own blogging, that is quite close to my heart. Traffic.

It is a well known fact that traffic on our streets has a natural flow, it may not be a fast flow but it will move, continuously at a natural pace.

Like water in a river, the traffic will find its way to the destination in its own good time, we only begin to see problems when something, such as a traffic light is placed in the middle of the flow to cause a dam effect. Like a river, if you put a solid block mid stream, the waters will back up causing a pool to form behind the wall.

We have seen on countless occasions with our own eyes, that traffic in a normally congested area flows well when traffic lights fail. there is no hindrance, no blockage, no slow release valve so the natural flow of traffic can be found. So why don’t local councils simply do away with traffic control systems? I believe it is because they don’t want to admit they were wrong and like to waste money and cause congestion. So lets look at this another way. Each traffic light contains (for arguments sake) three, 100w lamps, running 24 hours a day. Each town centre contains lets say 500 traffic light posts. That’s an energy consumption of about 150,000w in the town centre alone (probably a lot more). Then consider the effect of static traffic, waiting at lights chugging CO2 and fumes into the atmosphere…. What would be the effect of NOT having traffic lights on the environment? vehicles would flow, rather than being static. The energy consumption would reduce significantly and the impact on the environment would certainly be lower.

Yes there are going to be a few incidents caused by drivers with no sense, but impose a new courtesy law, punishable by making them drive a Gwiz for a year (or death - whichever is worse).

I challenge any city centre to run a ground breaking experiment. Turn off the traffic lights for 1 week, and measure the results, you will not only be surprised, but save a lot of money and the environment too.

Disaster Out Of Control…

November 10th, 2009

I am this week covering the breakfast shift for Play Radio in Southampton and I hate it. Actually that’s a bit strong, I don’t hate the show or the station, in fact I am quite enjoying being back on air for a longer stint.

What I actually hate is the playout system here. RCS Master Control is in my opinion, the most limiting, slow and difficult to use piece of software a radio station could find. Let me give you some examples:

1.

I need to insert a song into the playlist as the hour is 6 minutes short. I have to click a button to put in a place marker. I then have to double click that place marker to open a search box. Then, to find a song, I have to know the exact spelling of the title or artist and remember to put an “_” between every word. The system then takes at least 30 seconds to find, insert and then update the scheduler.

2.

I want to stop a song, and do something clever with jingles and segues, so one presses stop and it takes 10 seconds to do so, disabling the sound card while it does so.

3.

I preview a jingle in a ‘slot’ and the stop button makes it eject, so when one comes to need it on air, it isn’t there.

4.

the software looks the same and is as slow as it was 10 years ago

5.

without a printed log, the system wont tell you whether the song ends or fades.

6.

Where are the station promos stored? In spots? Links? To find something you need to know where it is, what its called and in what category. So much for a search feature!

What a presenter needs when they are on air, is a system that reacts to what they are doing, not the other way round. This playout system is aptly named as it is the computer that is in control of the output, as a presenter you are at the mercy of its speed and features. This, for live radio is very restrictive.

Give me a system, that works for me, a software package that allows me to search the entire library from a single place, on text that I choose to search with. Give me a system that allows me to drag and drop items into the playlist for playback immediately. Give me a system that will allow me to record phone calls directly into it, rather than messing about with Cool Edit on separate machine. Give me a system that when you press stop, it actually stops. Give me a system that is still being developed and updated. Give me anything but Master Control as it leaves me out of control.

And oh great…. Its just crashed….

15 minutes later…

The system needs so many applications running to make it play anything, it has just taken 15 minutes to get it working again. Open this app, click on this, find this, go into schedule to find a playlist, load a log editor, open another screen…. Aaarrrrrh

I continue from earlier… Give me a system that will automatically find the backup server if the primary goes down. Give me a system that loads within 30 seconds. Give me a system that works. Give me ENCO DAD.

Perins on Play…

October 25th, 2009

Recently, my company Special Media Projects LLP installed a broadcast studio at Perins School in Arlesford Hampshire. As part of the professional installation the school were provided with training from radio professionals and something a little special to get things off to a great start.

Because there is nothing like a bit of showbiz to make an occasion, we arranged for the local radio station 107.2 Play Radio to broadcast their entire breakfast show live from the school. This I believe is the first time that any school in the UK has hosted an entire radio show live on FM from their own studio.

My congratulations to everyone that was involved with the broadcast, there really is some amazing talent at the school and some budding radio stars of the future. It was a joy to work with so many enthusiastic people. The radio studio is going to be a great asset to the school and is going to produce some truly stunning material. I wish them the very best of luck and look forward to working with them throughout their project.

images and information can be found at www.specialmediaprojects.co.uk

Million Dollar Bender?…

October 25th, 2009

I love Whiney Housten’s latest single. I don’t think the record company could have chosen a better come back single for her. It has enabled her to return with class and style yet without re-inventing herself as some new modern RnB songstress as we have witnessed with Mariah Carey. Million Dollar Bill has an amazing motown feel, it embraces her style and reflects the music that made her the most awarded female star in the world.

However, after watching her Xfactor performance I have to question whether she is really ready to move back into the public eye. Clearly she was not at her best on stage and there is no denying that from the looks of the performance and her chat with Dermot O’Dreary afterwards, it does appear that she was drunk, or worse, back in her old ways. She could not focus, she appeared to be all over the place.

I am not an avid Xfactor fan, not so much because of the show and its contestants, more because the sound engineers infuriate me so. Whitneys performance was a case in point with her own mic being buried in the mix and popping horrifically - why they choose to use these microphones I don’t know. Take a tip boys, go back to the Shure Beta 58.

Anyway, that is beside the point. The performance she gave was nothing short of average at the very least. Had she been a contestant with that performance and faced with a public vote, she would be out of the show faster than you could say “you seem to have something white on your nose Miss Housten”.

Discover the Discovery…

October 13th, 2009

Discovery 3Well the curse of Grant and cars has finally hit my latest set of wheels. It went in for a water leak last week and within 48 hours it had developed another. This little jaunt into the garage cost almost 600 quid but could very well end up costing me a lot more.

The garage, Hunters Landrover thought it would be a good idea to give me a brand new Discovery as a courtesy car while mine was in for repair and I have to say, although only the GS model (that’s pretty much bottom of the range) I quite like it, to drive at least. The car, is a few inches longer than the Disco II about the same weight but feels smaller to drive once you manage to climb into the monster without side steps. The Engine, a very smooth V6 oil burner delivers enough power to thrash any boy racer from the lights and so much torque in low range the road Discovery 3 Interiormoves before the car does. But this particular model does leave me feeling a little disappointed.

Ok, so it was a GS, which means no satnav, no leather, no arm rests and no cruise control but it wasn’t just the lack of gadgets that made me feel incomplete. Inside, the layout is an absolute mess. Holes and gaps covered with ghastly rubber inserts, the centre console just a mass of oddly shaped plastic and lumps, the vast stereo and climate console looks as if it was designed at a playgroup with Lego and installed by an elephant. The interior of the vehicle just doesn’t work, you feel as if you are sitting ON the car, not in it.

Outside, the butchness of the Disco 2 has been almost completely lost. The roof still kicks up at the back and the higher models can still be ordered with twin sunroofs but because of the EU, all of the sharp corners that gave the Discovery its striking and powerful looks have been lost to curves and soft bits that won’t hurt if you are unlucky enough to walk into one.

Discovery 4The discovery 3 drives like a saloon car and looks like a girls car, it is the perfect family motoring experience for Chantelle and her two belly fruit Lambert and Starlight. So how could my visit to the garage cost me so much more? Enter the Discovery 4. Built on the same chassis, with the same brilliant power plant, but the chief designer is back from holiday and has put the playschool blocks back in the box.

The discovery 4 has been given the Range Rover Sport styling, which although doesn’t change the overall shape, it does make its face look tough, manly and unshaven. If it were a dog, it wouldn’t be A Disco 3 Labrador, its a Neapolitan Mastiff that dribbles, snarls and humps your leg. Discovery 4 InteriorInside, thankfully the centre console has been fixed. It has some of the original Discovery work bench feel to it again; large enough for your keys, phone, endless chocolate bars, drinks, laptop, wallet and all the other crap you pull from your pockets so as not to scratch your new Alpaca leather. You feel like you are sitting IN the car, securely surrounded by big iron girders and bullet proof glass, this is a car that unlike its predecessor feels like it is worth its price tag…. and I want one.

Make my station profitable…

October 2nd, 2009

When I started this blog, I wrote myself some rules. One of those rules was “don’t blog about anything that might upset the industry I work in” but you know what? I can’t avoid it any longer.

I simply can not understand why the UK radio industry is so willing to waste money. I just can not fathom, in an industry that struggles to pay presenters and chooses to automate or network up to 90 percent of its output still insists on throwing money away. Surely, anyone can see that to make money, you have to stop spending. Any business, modeled on leasing software is flawed. Stations that pay a monthly licence (or tax) to use software are not investing in the company future, they are just throwing money away.

Imagine a scenario. You have your very own radio station, you have a 5 year business plan. That plan, should show that in 5 years you will have made a very reasonable profit. To broadcast you need some software. do you:

a) Pay for the software and hardware outright so after a couple of years you have made a solid investment.

b) pay for software and hardware month after month.

I shall make this even easier with some example numbers:

a) Make 1 payment of £14,000 which covers everything, hardware and software

b) Make a payment of £388 every month of your 5 year business plan.

if you chose option ‘b’ you have just wasted £9280 in 5 years. You also have to remember the cost of replacement hardware, so lets say your station goes on for another 5 years…

a) Year 6, purchase only new hardware (because you own your software outright) to cover your next 5 year period - £5000

b) Year 6, purchase new hardware and carry on paying the £388 per month (plus interest and any price increases)

If you chose option b again, you have just wasted another £18,280. To sum up, over 10 years, you have just lost your company £27,560

There was a time when one might have been “in the business” for the pleasure of entertaining people, for the thrill of being on air but lets be honest. The only reason anyone is in radio, is to make money. So why throw it away? Think about your costs, think about investing in your stations future, think about using software that doesn’t add a “playout tax” and for god sake, think about using software that is effective, powerful and allows your presenters to act quickly, that allows djs to be creative and make amazing radio. If you don’t, everyone will be doomed, radio will die and listeners will be switching to those that had the foresight to save. The survivors won’t be internet broadcasters, but could quite aptly be called the LAST Fm.

Jolly Roger flying in Southampton…

September 10th, 2009

Driving round London, you can’t move on the FM dial for pirate radio. Every spare frequency is filled with every musical choice conceivable. The pirate radio station in London, is as part of every day life as waking up in the morning. It is however, a rare occurrence for Southampton.

There are many views on Pirate Radio, which vary from a front to an underground criminal drug outfit, to a method of promoting clubs, to irresponsible youths jamming the emergency services radio communications. Some say that pirate radio is the bain of every legal radio station and it should be stopped at all costs, but few seem to sympathise or have the opinion that pirate radio broadcasters are just enthusiasts to their craft and way of life with no outlet on which to shine. Community radio licences for pirates? Probably not…

Firstly, I think we need not worry too much about these pirates interfering with emergency services, since these services have now moved to a digital network. We can also assume that pirates do not detract from legal radio stations any more than say the ipod or internet radio. If a listener doesnt want to listen to legal radio, then they wont, the choice of listening is now so varied. Besides, in most cases, the demographic and musical tastes of pirate listeners is one that is un-satisfied by any local, community or national broadcaster during “normal hours”.

Southampton now has its own pirate station. Musically its actually quite good, it even sounds like there is some level of audio processing. It does however share the same annoyances of every London pirate. Firstly, if these DJ’s are going to play some quite brilliant music, why do they insist on talking over the whole song? Why, put on silly, fake, London “gang” accents? and why… (and this is the thing that really annoys me) does every pirate DJ (and wannabe MC for that) “cup” the head of the microphone! If you want to be heard, if you want to sound professional, if you want to sound real, don’t block the mic up… let it breathe, let your voice pass through it and let us hear you as you should sound… and not in a baked bean tin!

I lost my rag with an MC in a club once, turning the mic off every time he cupped the mic head… eventually he came to the DJ booth and was subjected to my quite blunt order. For the rest of his set, he used the mic properly… then thanked me deeply as he never realised he could sound that good on a PA system…

Do pirate radio stations offer anything to the town in which they broadcast? Yes, they do. They make even the worst legal radio station sound professional, but better than that, they offer a an entertaining alternative to the “limited playlist” stations that now claim to be at the heart of our cites.

Fail to present, prepare to fail…

September 8th, 2009

What a glorious day on the south coast only marred by two things, the cost of ferry travel to the isle of Wight and one companys lack of attention to detail to their customer facing audio service.

It doesn’ matter what your business is, if you address the public, either face to face or via a pa system you must, must, must sound professional. Anyone can pick up a script and read it, but to read it well you need to know the tricks. You need to know how to alter your inflection. You need to understand the basics of timing and delivery.

More often than not, an untrained pa user will sound like they are completely un interested in what they are Reading, they will sound as if they can’t be bothered, but have to perform this task as a chore. This ’sound’ is un intentionaland is born from the fact that the ‘presenter’ has not been given any training on how to deliver the script.

Some simple techniques can make anyone sound smooth, polished, interesting and professional.

You pay close attention to every aspect of your brand, exept how it sounds. I can help you here. http://www.specialmediaprojects.co.uk

Rule with an iron fist…

September 7th, 2009

Just a quickie. When I was a kid, I used to be scared of the local bobby, not because I got up to no good but because I knew if I did, I would get a clip round the ear and then taken to my parents, which to my young reasoning was worse than prison, at least there I wouldn’t have been grounded.

I look at young people today and wonder what their parents are thinking when it comes fo teaching right from wrong, it would seem that today it is perfectly acceptable to curse and spit at officers, to run riot in the neighbourhood and because of bordom, make the lifes of those around you a misery.

I was brought up in a middle class environment although most of my friends lived on council estates, I don’t mean that to sound snobby, but my point is, I never saw or heard of any incidents where the police needed 8 officers, 3 cars and a van to deal with 2 teenagers.

There are here a number of problems. Firstly, the police no longer rule with an iron fist, they can no longer give a youth a slap as they themselves would be held up for assult, the kids know this and loose respect. Secondly, parents are no longer allowed to administer appropriate punishments, I remember many I was given, ranging from a smacked bottom to, standing in the corner, lines and no tv for a week (which didn’t bother me as I could quite go without tv as long as I had Lego). Thirdly is the prison service, it is a hotel health break with satellite tv and staff on hand to answer your every whim, when it should be empty plain rooms, gruel twice a day and the most harrowing experience to break the spirits of the most hardened criminal. Make prison a scarry place and respect will return.

So, how to fix this? Give the police the power to clip ears once more, if my kids were out of line, they have my full permission and backing to do it. bring back the borstal and teach parents how to be parents.